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In the medieval period (Bhaktikal) of Indian history, the name of the distinctive genius of devotion and poetry, with the unique pain and pain of the unique peer and widow of love- Meerabai This immortal singer of these elements has been considered as the most important and important place in the devotees of Lord Krishna. His birthplace is considered as a place called Rajasthan's Medta. Meera was born in 1516 in Kudkii village, where Rao Dudaji's fourth son, Rao Ratnasinh, was born. In childhood, mother's body was burnt. Therefore, their adherence to the follow-up was done in the care of Param Vaishnava Rao Dudaji. Dada's sanskars and effects have come into effect in the form of Shrikrushna Bhakti. Since childhood, Mira began to consider Lord Krishna as her husband and Sarva. For this reason, to change the attention of Mira to socialism, when she was only twelve years old, she was married to Bhojraj, the eldest son of Rana Sagar of Mewar. But with devotion, she could not get rid of and neither could she ever fulfill the feeling of luxury with her husband. After a few days, when she became a widow, now she has been absorbed in devotion and devotion every moment, assuming she is completely free from all forms of world bondage.
After the widow, the whole time of Meera was spent in the satsangs and bhajan-kirtan of saints and saints. In front of the statue of Krishna, it can be opened in front of the temple or other temples. Unlike its dynasty, Manav Dayar and other members of the State family, first stopped Meera and later started to give many tribulations. Even many attempts have been made to kill him, but the fatal poison for love-divine mira also became nectar and black naga also became shaligram. In the end, Mira abandoned family and family. While traveling to Vrindavan etc. pilgrims, he reached Dwarikapuri. From there, Rana Parvar tried to bring her but she could not succeed. His wife's name It is believed around 1603.
In the view of Bhakti Sadhana, in the poem of Mira, there are two types of devotion-feeling of Saguna and Nirguna. It seems from this that Saguna-Sankar, despite being the exclusive worship of Lord Krishna, was influenced by the satsang of Nirgunvadi saints and worshiped the Nirguna formless. From this point of view we can also call him a communist and poetess. The names of the main compositions of Mir are - 'Narsee Ji Ka Maayra', 'Song Govind's Commentary', 'Meera ni ghero', 'Rasgovind', 'Pad of Raga Saurath' etc. Some of these compositions are not available and some are considered contexts. It has also happened that many others formed some posts, added the name of Mira in them and they became popular and famous by their name. In the languages ​​of Gujarati, Marwari etc. also get the posts of Meera. The real language of Meera was the idea of ​​a Gujarati mixed Marwari. In today's poetry we read, the improvement and change of language can be seen clearly. It seems that the collectors have made such simplification to facilitate Hindi-readers.
The love and devotion to Lord Krishna is the main subject of the poem of Meera. His pains have become immaterial and very religious. It has been revealed as the intensity of unique beliefs in the universe. The virtue of Gayataya becomes clear from this that even today, the great musician sings with his poetic chau and dignity. A poetic expression of poetry in Meera, which is a unique pain, sensation and personalization, is the one who has all that and because of that same simple-mindedness, he and his poetry are also immortal.
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